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文人花鸟画 the flowers-and-birds paintings of scholars英语短句 例句大全

时间:2022-09-11 10:26:20

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文人花鸟画 the flowers-and-birds paintings of scholars英语短句 例句大全

文人花鸟画,the flowers-and-birds paintings of scholars

1)the flowers-and-birds paintings of scholars文人花鸟画

英文短句/例句

1.Realist Aesthetic Consciousness in the Flowers-and-Birds Paintings of Scholars in Ming and Qing Dynasties;明清文人花鸟画审美意识中的现实主义

2.Talking about the Express Forms of Literati in Traditional Chinese Flowers and Birds Paintings浅谈中国花鸟画中人文性的表现形式

3.We have landscape painting,figure painting and flower and-bird painting.我们有山水画、人物画和花鸟画。

4.Two Consciousnesses Awakening and their Significance of Literati Painters in Yuan Dynasty Flower and Bird Paintings从元代花鸟画中看文人画家两种意识的觉醒及其意义

5.Chinese brush painting can be classified into three main categories: landscape painting, bird and flower painting, and figure painting.国画分为三大类:风景画、花鸟画和人物画。

6.He achieved much in portraiture and in paintings of mountains, rivers, flowers and birds, but was best known for his flower and bird paintings.他在人物、山水、花鸟几方面都有一定成就,花鸟画最为突出。

7.The article introduces the historical origin, the painting method and the painting process of enjoyable flower-and-bird painting, and emphasizes that ″enjoyable″ is the key of enjoyable flower-and-bird painting.本文介绍了写意花鸟画的历史由来,作画方法等其他过程。

8.Flowers, birds, grass and insects which are popular with artists are usually delightful things.花鸟草虫,凡是上得画的,那原物往往也叫人喜爱。

9.The Correspondence of Flower and Bird Paintings in the Style of the Imperial-court Decorative Painting to Zhuangzi’s Artistic Aspiration;宋人院体花鸟画与庄子艺术精神的契合

10.Ink and Color Remaining in the World: A Study on Su Baozhen s Freehand Brushwork in Flower-and-bird painting;彩墨精神留人间──苏葆桢写意花鸟画艺术探略

11.She painted flowers and birds pictures akin to those of earlier feminine painters.她画一些同早期女画家类似的花鸟画。

12.Paintings Are True to Life ──Comments on Mr.Zhang Shuqi,a Famous Artits in Drawing Flowers and Birds;画花似闻香 画鸟若欲语——评著名花鸟画家张书旂先生

13.A Brief Talk on Creating Chinese Freehand Flower-and-Bird Painting in Class;浅谈中国画教学中写意花鸟画的创作

14.ON THE FLOWERS AND BIRDS PAINTING ON CERAMICS FROM THETONGGUAN KILN OF CHANGSHA IN THE TANG DYNASTY;论陶瓷绘画的唐代长沙铜官窑花鸟画

15.The Similarity and Peculiarity between Yong Zheng Famille Rose Decoration with Flower-and-bird and Chinese Traditional Exquisite Brush Flower-and-bird Painting;雍正粉彩花鸟装饰与传统工笔花鸟画的异同

16.He was admired for his landscape, bird-and-flower and occasional figure painting.他的山水画、鸟画和人物画受人仰慕。

17.PROBE INTO STRENGTHENING THE STEREOSCOPIC OF BIRD PAINTING WITH THE BLUE AND WHITE CONTRASTING COLOR对增强青花斗彩花鸟画立体感的探索

18.These are landscapes and these are flower-and-bird paintings.是的,这些画怎么样?这些是山水画,这些是花鸟画。

相关短句/例句

Chinese painting of flowers and birds in the Song Dynasty宋人花鸟画

3)painting of flowers and birds花鸟画

1.Firstly, the muralpainting of flowers and birds in this tomb is in a symmetric pattern.这时花鸟形象刻画所强调的“妙得其真”、“精妙”、“夺真”是指在对称构图基础上的局部写实,与宋代花鸟画的写实有很大差异。

4)flower-and-bird painting花鸟画

1.Theflower-and-bird painting is the traditional Chinese painting important component,has the glorious history,presents the different style form along with time vicissitude each generation,the picture performance different form esthetic sense,the picture form feeling including intrinsic energetic and the external form.花鸟画是中国画的重要组成部分,具有悠久的历史,随着时代的变迁各代呈现出不同的风格形式,画面表现不同的形式美感,画面形式感包括内在精神和外在形式。

2.Xu Wei is an outstanding master offlower-and-bird painting in late Ming Dynasty.徐渭是晚明声名卓著的花鸟画大家。

3.With some reference from other works, this article analyzes the features of Wang Yuan sflower-and-bird painting and draws the following conclusion:1.本文通过对该图的分析,再参照其他作品,概括出王渊花鸟画的笔墨特征:一、以墨代色,笔精墨妙;二、勾勒、没骨,相得益彰;三、师"黄"借"徐",自创一格。

5)Flower and Bird Painting花鸟画

1.Experience from Teaching aboutFlower and Bird Painting;关于花鸟画创作教学的几点体会

2.The thesis introduces Ren BoNian s flower and bird paintings and stresses their characteristics.本文介绍了任伯年的花鸟画,强调了其花鸟画的特点。

3.With fresh modern style and difference of drawing skills,molds,compositions and colors from other common works, his flower and bird painting gives new drawing style to later artists, and his time transcending originality gives great influence to later generations.其花鸟画作品 ,带着清新的现代气息 ,不同于一般作品的笔墨、造型、构图和色彩 ,给后人留下新奇的画风 ;其超前的创新意识对后世产生很大影

6)Flowers and birds painting花鸟画

1.The Chinese flowers and birds painting is openned by Xu & Huang of Five Dynasty, it became two systems: the scholar wing and the royal court wing .中国花鸟画由五代徐、黄分宗,历经两宋时期的发展,形成了文人士夫和院体画工(以下简称:文院)两派花鸟画创作群体不同的审美价值观,开启了花鸟画领域的两个基本脉系。

2.The performance of subjects and practices of Chinese painting widespread used in ceramics, flowers and birds painting is loved by people daily.中国绘画的表现题材、手法等在陶瓷中运用十分普遍,其中花鸟画更是人们生活中喜闻乐见的题材。

延伸阅读

日本文人画日本17~19世纪受中国明清文人画影响而形成的画风总称。以清雅淡逸、信笔遣兴为特点。其中,一部分着重从技法上模仿,格调较为俗气,称为南画;一部分着重以对中国古典文学艺术的尊崇和修养为前提,讲究诗情画意,格调高雅,称为文人画。但南画和文人画的范畴界限不清,也常常混为一体,所以述及日本文人画流派及画家时,往往与日本南画史难于截然划分。中国清代画家伊孚九等将《八种画谱》、《芥子园画传》等木版画谱和清代画家的作品带到长崎,这些画被泛称为南宗画。南宗画与一批具有较深的汉诗、汉文教养的武士如祇园南海、柳泽淇园兴味相投,他们开始模仿这些南宗画,在作品中传播着南宗画风。这种画风的新鲜感觉,引起了社会上和绘画界的广泛注意。不久,又吸引了对守旧的狩野派、土佐派等强烈不满的市民画家彭城百川、池大雅、与谢芜村等人,从而形成独立的日本文人画风,即由诚实的自然观察和随意的描绘技法而产生的诗趣横溢的画风。在画风和技法的探求上,日本文人画与中国文人画相比,也别具一格。自从大雅、芜村等确立了日本文人画之后,在日本各地都出现了不少追随者,涌现了许多优秀的画家。特别是1810~1840年间,京都、大阪一带,冈田米山人、浦上玉堂、青木木米、田能村竹田等富于个性的画家相继争雄,形成日本文人画的黄金时期。另一方面,在江户出现谷文晁、渡边华山,他们将清朝画家沈铨(沈南)的写实作风和西洋画风糅合一起,与关西文人画派并立。日本文人画持续发展到19世纪末,终因其程式化的局限而逐渐枯竭。明治时期可称为文人画家的只能举出田崎草云、田能村直入、富冈铁斋等。其中富冈铁斋的作品面貌别具一格,颇富影响。日本文人画家的特点之一是强调修养和学识,故撰述画论者为数不少。如田能村竹田的《山中人饶舌》,中山高阳的《画谭鸡肋》,桑山玉洲的《玉洲画趣》、《绘事鄙言》,中林竹洞的《画法金刚杵》、《竹洞画论》,金井乌洲的《无声诗话》等。日本文人画在近代文化史中可说是加深中日文化关系的一条纽带。他们在把握中国的文人画时,对汉学、汉诗、中国绘画理论都下过一番功夫,他们不仅能充分理解中国明清文人画之要谛,更能在消化日本古典艺术的基础上充实其精神和技法,留下了不少优秀作品。明治以后,日本文人画迅速衰落,至今虽有南画院等团体,但其作品面貌已名实两殊了。

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